Nagasaki

Words & Music by Mort Dixon & Harry Warren, 1928
Recorded by The Mills Brothers, 1934


A   F#m       Edim        E7
Hot ginger and dy - na - mite, 

 A     F#m      Edim    E7
That's all there is at night 

 A           A7             D              Dm6
Back in Nagasaki where the fellows chew tobaccky 

         E           E7    A    D9  E7           
And the women wicky-wacky-woo! 


A          F#m      Edim      E7
They got a way that they entertain, 

A     F#m    Edim         E7
Would hurry a hur - ri - cane. 

A           A7             D              Dm6
Back in Nagasaki where the fellows chew tobaccky 

         E           E7    A    
And the women wicky-wacky-woo! 


Bridge:

D         D6   D             D6   D
Fu - ji - ya - ma, you get a ma - ma, 

 A         D9      E7   A     A7
Then your troubles increase, boy! 

D            D6   D              D6   D
In some pa - go - da, she orders so - da

  A            F#7         Edim         E7
Earth shakes, milk shakes, ten cents a piece.


A    F#m    Edim       E7
They hug and kiss each night, 

A  F#m          Edim      E7
By jingo, it's worth the price! 

A           A7             D              Dm6
Back in Nagasaki where the fellows chew tobaccky 

         E           E7    A    
And the women wicky-wacky-woo! 

Coda:

A      AM7        A7      A7/6       D9    Bm7-5   Dm6
Back in Na - ga - sa - ki where the fellows chew tobaccky 

Fdim    E            E7    A    
And the women wicky-wacky-woo! 



Though much better known as an instrumental these days (justifiably -- I mean, geez..."where the women wicky-wacky-woo"? You gotta be kidding me!) this song has been used as the basis for a number of jazzed-up guitar versions, most of which require 'way more fingers than I've got in order to play correctly. I'm including the lyrics here, if for no other reason than to prove that some songs become memorable in spite of themselves.


 
The lyric and guitar chord transcriptions on this site are the work of The Guitarguy and are intended for private study, research, or educational purposes only. Individual transcriptions are inspired by and and based upon the recorded versions cited, but are not necessarily exact replications of those recorded versions.