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You'd Better Love Me (While You May)
Words & Music by Timothy Gray & Hugh Martin
Recorded by Mel Torme, 1964
AM7 F#m Cdim(III) C#m7-5 AM7
You'd better love me while you may
AM7 F#m Cdim(III C#m7-5 F#7
To - mor - row I may fly a - way
D9 Cdim Bm7-5 E7-9 AM7 D9 AM7 F#m
I want your gen - tle touch, your con - ti - nen - tal touch,
D9 Cdim Bm7-5 E7-9
Your el - e - men - tal touch
AM7 C#m7-5 D9 E7
You want me too -- oh, I know that you do.
AM7 F#m Cdim(III) C#m7-5 AM7 AM7 - D9 - Cm7-5 - AM7
You'd better love me while I'm here
AM7 F#m Cm7 C#m7-5 D C#m7-5 Bm
I have been known to dis - ap - pear
D F#m Bm Bm7/E AM7 C#m7-5 F#7
So, don't let this mir - a - cle melt a - way
AM7 F#m C#m7-5 AM7 F#m C#m7-5 D B7
The clock ticks fast a - bove me, if you think fond - ly of me
AM7 Bm7-5 D9 E7-9 AM7 D9 AM7
You'd bet - ter love me while you may, while you may.
Bridge:
A AM7 D9 Bm7-5 E Fdim A D9 A
You called me back with a si - lent plea,
AM7 D9 Bm7-5 E7 E7-9 A
From another time, another place, another me;
A AM7 D9 Bm7-5 E Fdim Am E7 Am
You called me back, and I found my way
E7 A F#m D9 Bm7-5 E
To a half-remembered, half-forgotten yesterday.
Fdim F#7 Cdim
But I might not stay, so remember, baby,
Repeat last verse
*Requested by recent visitor David Banks. Purists will no doubt notice that Torme takes a half-step rise on the last line of the bridge, to F7 rather than to F#7 as I show it here, and that the final verse follows suit, raising a half-step throughout. I'm sticking to my policy: if I can't play it, I don't show it. The half-step raise on the final verse confounds me to the point I don't even bother trying to make the jump, I merely found a way to return to the original verse's key. If you're smart enough to notice, you're probably also smart enough to fix it, so help yourself.
The lyric and guitar chord transcriptions on this site are the work of The Guitarguy and are intended for private study, research, or educational purposes only. Individual transcriptions are inspired by and based upon the recorded versions cited, but are not necessarily exact replications of those recorded versions.
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